Recent Highlights
I'm a freelance journalist, critic, and copyeditor. I've covered politics, pop culture, and history for outlets like YES! Magazine, Los Angeles Review of Books, Waging Nonviolence, Scalawag, No Bells, Hearing Things, and Paste Magazine. My articles have been republished by Truthout, The Emancipator, Public News Service, Next City, and Phil Lewis’ award-winning newsletter “What I’m Reading.”
My specialties include U.S. politics and social movements, the South and Midwest, hip-hop and R&B, and archival research. Before becoming a journalist, I spent nearly a decade as a community organizer and union rep.
You can also find my poetry and experimental writing in publications like Protean Magazine, DIAGRAM, Washington Square Review, Apogee Journal, and ANMLY. I've been nominated for the Pushcart Prize, Best of the Net, and Best Microfiction.
I'm always looking for new stories! Click the mail form below to commission me.
Recent Highlights
In the 1970s, the campus provided space for new approaches when most programs were majority white.
From plastic-covered couches to Black Jesus portraits, Black interior design preserves history amid rampant displacement.
Justin A. Davis writes on Ralph Bakshi's controversial film "Coonskin" for its 50th anniversary, in a preview of the LARB Quarterly no. 47, "Security."
Justin A. Davis remembers Southern icon D'Angelo, with a stirring look at the artist's discography and commitment to making Black music.
For Labor Day, we remember the dock workers who risked their lives fighting exploitation in the early 20th century.
The fight over xAI's Colossus highlights a close alliance between Trump-style fascism and big tech in the South.
Culture
A retrospective on the Drake-Kendrick beef that defined everything—and nothing.
The New Jersey trio Blaze's singular 1990 record '25 Years Later' wrestles with the unfulfilled promises of Black liberation.
My contribution to No Bells' 2024 "List of Lists."
In its design and symbolism as much as its materials and production, the NFL jersey is an artifact of an industrial society shaped by racism and capitalism.