Culture
I'm a freelance journalist, critic, and copyeditor. I've covered politics, pop culture, and history for outlets like YES! Magazine, Waging Nonviolence, Scalawag, No Bells, Hearing Things, and Paste Magazine. My articles have been republished by Truthout, The Emancipator, Public News Service, Next City, and Phil Lewis’ award-winning newsletter “What I’m Reading.”
My specialties include the U.S. South, social movements, hip-hop and R&B, and archival research. Before becoming a journalist, I spent nearly a decade as a community organizer and union rep.
You can also find my poetry and experimental writing in publications like Protean Magazine, DIAGRAM, Washington Square Review, Apogee Journal, and ANMLY. I've been nominated for the Pushcart Prize, Best of the Net, and Best Microfiction.
I'm always looking for new stories! Click the mail form below to commission me.
Culture
The New Jersey trio Blaze's singular 1990 record '25 Years Later' wrestles with the unfulfilled promises of Black liberation.
My contribution to No Bells' 2024 "List of Lists."
In its design and symbolism as much as its materials and production, the NFL jersey is an artifact of an industrial society shaped by racism and capitalism.
A recent press release describes #RICHAXXHAITIAN as the last of a "tetralogy" of Haiti-focused albums, starting with 2016's HBO (Haitian Body Odor), Pray for Haiti, and Balens Cho (Hot Candles). Haiti’s struggle for self-determination has always been central to Mach’s mythos, but these four records explicitly use it as a framing device — and compared to its predecessors, #RICHAXXHAITIAN feels especially clear and distilled.
Veteran rapper-producers Oh No and The Alchemist frequently use their work to peer at highbrow city life from its lowbrow, morally-gray margins — especially when they team up as Gangrene. Heads I Win, Tails You Lose comfortably expands on their keen eye for world-building. It’s tailor-made for peering into a back alley.
Since St. Louis' biggest rap stars fell out of the spotlight, new generations have drawn from Chicago drill to make music that reflects the region's deep political struggles.
A decade later, the anxieties of fame and the sonic and formal risks of the album represent a key turning point in Donald Glover's rap career.
An essay excavating the idea of the gun as a rhetorical object in hip-hop.
Deeply introspective and empathetic, eccentric and soulful, sonically and tonally rich: MIKE's music lets you comfortably swim at its surface while rewarding close listeners with moments of heart-wrenching poetry and texture.
The hottest, driest place in America is a fitting reference point for prolific LA beatmaker DJ Muggs — whose trademark production is frequently dust-filled and eerie, with little room for frills. That approach is on display throughout Soul Assassins 3: Death Valley, a new installment in his decades-long series of region-hopping rap showcases.
In 1998, the Ku Klux Klan rallied in Memphis — hundreds of protesters came out to challenge them, and police shut them down. That event inspired a song on rapper Tommy Wright III's last solo album. Revisiting MLK Day 1998 highlights how the legacies of Memphis hip-hop, policing and protest are intertwined.
The Alchemist's continued relevance in hip-hop's mainstream and underground doesn't just come from his massive output: it's also his keen sense of collaboration, his signature talent of shaping a sonic world around a rapper's vision.
Now a fresh signee at Def Jam, Sage Elsesser's dropped his major-label debut Ways of Knowing , a clear-eyed distillation of his effortless, heady lyricism and deep emotional intelligence.
The moral panic of sagging pants — and how the influences of Southern pop rap and regressive gender politics accelerated efforts to police it.
In Memphis, great musicians like Louis Armstrong and John Gary Williams harnessed Black music to resist police power throughout the city's history.
Black music embodies a culture of surviving however you can by holding onto whatever you can: taking the pieces of a collapsing world and remaking them into something that can get us through another day, another year, and hopefully another lifetime.
Fully reckoning with Turner's legacy forces us to confront an uncomfortable fact: her trauma has often been mocked in the pop landscape that she helped create.
Compared to Wiki's last few releases, Papiseed Street is especially loose and playful. He has a real talent for building momentum across a song, stacking vivid images on top of vignettes, jokes, and emotional insights. His newest offerings are vibrant and off-the-cuff, full of his trademark personality.
Oh No's short new double album tries to "deconstruct" Roy Ayers, intricately reassembling the wreckage into frantic boom bap and instrumental jazz rap that show off both artists' skills as composers and arrangers.
A full-length June-Alchemist connection might not feel intuitive on the surface — Alchemist has said in interviews that he was initially unsure how their styles would mesh. The Great Escape manages to show off the best parts of both: it’s a muggy, cinematic slice of life that’s not afraid to go off the beaten path.
YUNGMORPHEUS has spent much of his career working in the more left-field spaces of L.A.'s underground hip-hop and neo-soul. From Whence It Came is a soothing, hazy romp through stories of Black working-class survival and lush self-care. Insurgency has never sounded this suave.
Atlanta's Young Stoner Life project has been about place-making as much as it's been about making music. But what happens when the state interferes?
Princess Loko's catalog documents what it's like to be surveilled by cops and haters. But there's a difference between being visible and being seen — even when Beyoncé puts you on.
Politics
Activists are calling for New York City's subway system to be fully funded and police-free.
Victoria Law's new book is an accessible primer on abolitionist theory, told through intimate stories of prison life in the pandemic.
Researcher and organizer Yvonne Yen Liu discusses efforts to build direct democracy and grassroots power in Los Angeles.
Mississippi organizer Lea Campbell talks about the impacts of Mckesson v. Doe on the climate for nonviolent protest in the Deep South.
A grassroots group of MTA passengers and community leaders is organizing riders to resist regressive public safety narratives.
Abolitionist organizer Pilar Weiss discusses how community bail funds have withstood past and present challenges from the state.
With new plans for a Multi-Agency Law Enforcement Training Academy, Tennessee's right-wing government seeks to bolster the state's police forces against efforts to transform them.
A leader of the Asian Pacific Islander Political Alliance explains the multi-pronged strategy against a proposed new home for the 76ers.
New Disabled South co-founder Dom Kelly discusses how disability justice can address the region's most urgent political crises.
UCW President Anne Langendorfer explains her union's unique approach to building power in a "right-to-work" state.
Despite being named in a Georgia RICO indictment, Priscilla Grim believes the movement can still win with care, courage and resilience.
New Afrikan organizer Jomo Muhammad talks about tactics for supporting Black political prisoners and combating state repression.
A nurse midwife discusses how health care providers and movements connect on reproductive justice after the upending of abortion rights.
The ongoing YSL trial that swept up a suite of Atlanta rappers from Young Thug to Gunna reveals how gentrification under the guise of urban renewal and the police state sustain each other.
History
Black women led a number of small but mighty labor walkouts in 1930s Memphis, demanding better pay without union support.
The 1968 sanitation strike wasn't the first time Memphis sanitation workers walked off the job to demand better wages. For Black History Month, we looked at the strike that Memphis forgot.
The forgotten organizer lived the evolution of Black radicalism in the twentieth century.
In the early 1900s, Black freedmen combined fringe religion and radical politics into a utopian vision of Oklahoma.
In celebration of Black August, we revisit the first 10 years of Memphis' Downtown jail — and the struggle to make it humane.
For a brief moment in history, a Black disabled trans woman was Memphis’ biggest scandal. Her life paints a different picture of the city's civil rights legacy.
The Black Power movement didn't last, but it echoes in Black activists' fight for justice in their homes and neighborhoods. Part ten of a 10-part series on the first tenant movement in Memphis.
The Black Panthers move 60 displaced tenants into a housing project — until the police threaten to end their protest by force. Part nine of a 10-part series on the first tenant movement in Memphis.
When a mother of nine was suddenly evicted from her dilapidated home, the Black Panthers took over a public housing office to get her some help. Part eight of a 10-part series on the first tenant movement in Memphis.
Black activists in Memphis found a chapter of the Black Panther Party, while paid FBI informants feed info about them to local reporters. Part seven of a 10-part series on the first tenant movement in Memphis.
After King's assassination, a variety of radical Memphis activist groups bloomed — for a while. Part six of a 10-part series on the first tenant movement in Memphis.
Why proposed rent strikes at Memphis' public housing projects failed in 1977 and 1990. Part five of a 10-part series on the first tenant movement in Memphis.
Why couldn't Memphis sustain a progressive tenant movement in the '60s and '70s — like Black renters did in Atlanta and St. Louis? Part four of a 10-part series on the first tenant movement in Memphis.
A controversial former labor organizer tries to organize a nationwide tenants union, starting in Memphis. Part three of a 10-part series on the first tenant movement in Memphis..
In a "no man's land" for code enforcement, a Memphis woman led the city's first rent strike — and won. Part two of a 10-part series on the first tenant movement in Memphis.
If you never knew there was a militant response from Black folks fighting for their lives in Memphis slums and projects, think again. For Black History Month, this 10-part series recounts the struggle for fair housing in post-King Memphis.
What does the socio-historical logic of race — and its relations to labor, land, and nature — mean for our impending cataclysms?
Selected Poetry & Fiction
Rebuking those who "dip the poem in oil, occupy a country for it," poet Justin Davis explores the intimacies between the literary-artistic world and institutions of policing and imperialist expansion.
Volume 7, Issue 4. Finalist for the Brett Elizabeth Jenkins Prize.
Volume 7, Issue 4. Finalist for the Brett Elizabeth Jenkins Prize.
Issue 30. Finalist for the Peseroff Prize.
Issue 48. "Flu Season" (nominated for Best of the Net) and "African Dodging while the President Eats Dinner in Philadelphia."
Media Appearances
For the broadcast version of my YES! Magazine story, I spoke to New York News Connection's Edwin J. Viera about the transit budget and "broken windows" policing in New York City.
Kendrick and Drake's rap beef has set fire to the internet. Given hip-hop's competitive nature, why is this feud so significant? Experts weigh in.
Leaders and organizers say they hope to see transparency, engagement in transit issues and protections for workers and the Memphis Sand Aquifer.
I spoke to Capital B about how the electric car industry can have harmful effects on Black communities.
I spoke with Puerto del Sol about poetry, politics, and some of my writing inspirations.
We need our leaders to walk the walk and talk the talk. To not just tell us something that can be done, but show us. Find out more.